Goðafoss — The Waterfall of the Gods

A waterfall that rewarded the one who prepared

I have been to Goðafoss several times — in summer, in winter, at different times of day and in different light. Each visit has shown me something the previous one didn’t. It is that kind of location: accessible enough that it is easy to treat as a quick stop, deep enough that it rewards staying longer.

On one visit I was staying nearby when the Northern Lights appeared. I knew immediately that Goðafoss would be an extraordinary foreground — the horseshoe shape of the falls, the water catching the light, the open sky above the canyon. I drove toward it and stopped. Without a headlamp, in complete darkness, approaching an unfenced waterfall with an uneven riverbank was not a reasonable decision.

I turned back.

The image I didn’t make that night is the one I think about most at Goðafoss. Preparation is everything — and a headlamp costs very little compared to what it would have made possible.

At a Glance

Goðafoss — Key Facts for Photographers

📍
Location Ring Road (Route 1), between Akureyri and Mývatn, north Iceland. Directly accessible — no gravel road or long walk.
🚗
Distance ~45 min from Akureyri. ~30 min from Mývatn. Ideal as a stop between the two.
📅
Best Season Year-round. Winter for ice formations and aurora potential. Summer for green canyon and extended golden hour.
💧
The Waterfall 12m drop across a ~30m horseshoe-shaped front. Shape and accessibility are the photographic strengths — not scale.
🌌
Aurora Potential One of north Iceland’s strongest aurora foregrounds. Open sky, horseshoe shape, running water. Headlamp essential for night visits.
🚁
Drone Check current restrictions at ust.is. No flight in restricted zones. Spring and summer — check nesting season rules.

Key advantage over Dettifoss: Goðafoss is accessible year-round without a 4WD or gravel road. For photographers based in Akureyri or Mývatn, it is a location you can return to multiple times across a single trip — morning, evening, and on a clear night with the Northern Lights.

The Waterfall and Its History

Goðafoss — “Waterfall of the Gods” — takes its name from an event in Iceland’s history. In the year 1000, the Lawspeaker Þorgeir Ljósvetningagoði was tasked with deciding whether Iceland would adopt Christianity or remain pagan. After two days of contemplation under a fur blanket, he announced that Iceland would convert. On his return home, he threw his statues of the Norse gods into the falls — giving the waterfall its name and Iceland a pivotal moment in its history.

Standing at the falls, knowing this, adds something to the experience. The water that has been falling here for thousands of years was flowing when that decision was made. Iceland’s landscapes carry history in a way that few places do.

Why Goðafoss Works Photographically

Goðafoss is not Iceland’s tallest or most powerful waterfall. What makes it exceptional for photography is its shape and accessibility.

The falls drop approximately 12 metres across a horseshoe-shaped front roughly 30 metres wide. The curved form means that different positions along the riverbank give you fundamentally different relationships with the water — from a wide view of the full horseshoe to intimate compositions that isolate a single section of the fall against the basalt canyon walls.

The location also sits directly off the Ring Road, which makes it genuinely accessible year-round without highland road conditions or long walks. What it offers in accessibility it more than compensates for with compositional variety — if you take the time to find it.

Perspectives Worth Finding

Shooting Positions

Four perspectives at Goðafoss — what each one offers

1
North bank viewing platform Main car park — north bank
What you get Elevated top-down view of the full horseshoe. Classic composition, full width visible in a single frame with the river above and pool below.
Best lens 16–24mm for full horseshoe; 70mm to compress sections
Crowds Most visited position — arrive early morning
Standard — most visitors stop here
2
Steps down to water level North bank — descend from platform
What you get Close to the falls, low in the frame, rocks of the riverbank as foreground. Long exposure from water level with the full horseshoe behind. The image in the article was made here.
Best lens 16–24mm, low tripod position
Crowds Fewer visitors descend — more space to work
Marcel’s primary position
3
South bank Cross Ring Road bridge — short walk
What you get Looking across the falls rather than toward them. Completely different relationship between water, canyon walls, and sky. Significantly fewer visitors.
Best lens 24–70mm — more flexible range from this angle
Crowds Often empty — most visitors never cross the bridge
Worth the short detour every visit
4
Canyon wall abstracts Step back from the falls — both banks
What you get Telephoto isolates sections of basalt canyon wall with water behind. Abstract compositions — texture, colour, geometry. Rewards looking away from the obvious subject.
Best lens 70–100mm — compression brings wall and water together
Crowds No one else is making these images
Requires patience and willingness to explore

The visitor pattern: most people spend 20 minutes at position 1 and leave. The compositions at positions 2, 3 and 4 require more time and more willingness to move — but they are the images that look nothing like every other Goðafoss photograph online.

Most visitors stop at the main car park on the north bank, photograph the falls from the obvious viewpoint, and leave. The following positions are what distinguish a Goðafoss visit from a Goðafoss photograph:

The platform above the falls

The elevated viewing platform on the north bank gives you a top-down perspective on the horseshoe shape — the full width of the falls visible in a single frame, with the river above and the pool below. Most visitors see this position. Fewer stop long enough to work the composition properly.

The steps down to the water

On the north bank, steps lead down toward the water level — closer to the falls, lower in the frame, with the rocks of the riverbank available as foreground. This is where the image above was made: a long exposure from water level with the full horseshoe behind the rocky foreground. It is a perspective that requires a wide angle lens and a low tripod position, and it produces images that look nothing like the standard viewpoint shot.

The river above Goðafoss waterfall in winter, looking upstream toward the Ring Road, north Iceland — photographed by Marcel Strobel
Looking to Goðafoss | © Marcel 2024

The south bank

Crossing the Ring Road bridge gives you access to the south bank, which sees significantly fewer visitors. The perspective from here is different — you are looking across the falls rather than toward them, and the relationship between the water, the canyon walls, and the sky changes completely. Worth the short walk.

The canyon walls

Stepping back from the falls and using a short telephoto (70–100mm) to isolate sections of the canyon walls with the water behind them produces abstract compositions that reward patience and a willingness to look away from the obvious subject.

Seasonal Character

Summer

Green vegetation on the canyon walls, full water volume, long daylight. The falls in summer light — particularly in the extended golden hour of June and July — are warm and accessible. The main car park sees significant visitor numbers through the summer peak. Early morning visits give you the best combination of light and solitude.

Winter

Goðafoss in winter is a different place entirely. Snow covers the surrounding landscape and the canyon edges. Ice formations build up on the basalt walls and at the edges of the falls — in cold winters, the outer sections of the horseshoe partially freeze while the centre continues to flow. The blue of glacial ice against the white of snow and the grey of the water produces a colour palette that summer simply cannot replicate.

Goðafoss waterfall in winter with snow and ice formations, north Iceland — photographed by Marcel Strobel
Goðafoss in Winter | © Marcel Strobel 2024

Winter also brings the possibility of Northern Lights above the falls — which is exactly the opportunity I did not take, without a headlamp, in darkness I had not prepared for.

Aurora at Goðafoss

Preparation checklist — the image you won’t miss twice

Every Evening — Autumn & Winter

Check aurora forecast at vedur.is before bed KP index + cloud cover. Activity often peaks after midnight.
Headlamp charged and packed — every single night The falls are accessible from the car park in complete darkness with the right equipment. Without it, you cannot safely approach.
Warm layers ready to put on immediately Standing still at a waterfall at midnight in Iceland requires more insulation than any daylight shooting
Camera batteries charged — at least two Cold kills battery life faster than anything else. Keep spares in an inner pocket.

When the Forecast is Active

Drive to the north bank car park — not the south bank The north bank steps give you water level access. The horseshoe is the foreground — you need to be close to it.
Scout the steps down to water level in daylight first Know exactly where they are and what the footing is like. Approaching for the first time in darkness is the mistake that caused the missed shot.
Set focus and composition before dark if possible Manual focus to infinity. Test your framing at dusk so you are not figuring out composition in darkness.
Allow time — the display may take hours to peak A KP 3 forecast at 10pm may produce a KP 5 display at 2am. Patience is the most important tool.

Starting point settings for Goðafoss aurora

Focal length 16–24mm Capture sky and horseshoe together — the relationship between aurora and falling water is the image
Aperture f/2.8 or wider Maximum light gathering. f/1.8 if you have it.
ISO 1600–3200 Raise for faint displays. Lower for bright ones to protect highlights in the white water.
Shutter 5–15 seconds Shorter for fast-moving aurora. Longer risks blurring the lights. Also smooths the water.
Focus Manual — infinity Autofocus will hunt in darkness. Set manually and verify on a distant light before dark.
White balance 3200–4000K or RAW Cooler WB retains the blue in the water; warmer pulls the green aurora. Shoot RAW and decide in post.

The image I didn’t make: One evening the Northern Lights appeared while I was staying nearby. Goðafoss would have been an extraordinary foreground — the horseshoe shape, the water catching the light, the open sky above the canyon. I drove toward it and stopped. Without a headlamp, in complete darkness, approaching an unfenced waterfall with an uneven riverbank was not a reasonable decision. I turned back. A headlamp costs very little compared to what it would have made possible.

The lesson: if you are staying anywhere near Goðafoss in autumn or winter, carry a headlamp every evening. Check the aurora forecast on Veðurstofa Íslands before bed. The falls are accessible from the car park in complete darkness if you have the right equipment — and the combination of moving water, open sky, and an unfenced horseshoe waterfall as a foreground is one of the strongest aurora compositions available in north Iceland.

Leave No Trace — A Repeated Problem

I have witnessed people crossing barriers at Goðafoss on multiple visits. The pattern is consistent: a slightly better angle is visible on the other side of the rope, the ground beyond the barrier looks stable, and the decision to cross takes a moment.

The consequences are twofold and both are serious.

The vegetation and soil beyond the marked paths is fragile. Iceland’s groundcover recovers over decades, not seasons — every footstep off the designated area leaves a mark that outlasts the visit by years. At a location as heavily visited as Goðafoss, the cumulative damage from these individual decisions is visible.

The second consequence is personal. The riverbank at Goðafoss is uneven, wet, and in places approaches the falls closely. The water moves fast. In winter, snow conceals the true edge of the bank and ice makes surfaces unpredictable underfoot. Iceland is not a playground — the barriers at Goðafoss are not there to limit your photographic options. They are there because the ground beyond them is genuinely hazardous.

The marked paths and designated viewpoints at Goðafoss produce excellent images. The angle you can see from the other side of the barrier is not worth what crossing it costs — to the landscape and potentially to you.

Photographic Tips

Long exposure

The horseshoe shape of Goðafoss lends itself naturally to long exposure work — the curved line of falling water, smoothed by a slow shutter speed, becomes a continuous band of white against the dark basalt. A 6-stop ND filter handles most daylight conditions. At blue hour and dawn, a 3-stop or no filter is often sufficient.

Settings

  • Aperture: f/8–f/11 for sufficient depth of field across the full width of the falls
  • Shutter speed: 1–4 seconds for smooth water with some texture retained; 30 seconds or longer for complete smoothing
  • ISO: As low as possible — 100–200 — to maintain maximum dynamic range in the highlights of the white water

Spray management

Goðafoss produces less spray than Dettifoss but mist settles on lenses consistently at the closer positions. Keep lens cloths accessible and check the front element before every shot.

Winter shooting

In winter conditions, the steps down to the water level may be icy and require care. Carry microspikes or crampons if conditions are cold — the basalt rock at the water’s edge is slippery when wet and dangerous when frozen. The winter light at Goðafoss is short but extraordinary — plan your shoot around the narrow daylight window and be in position before it opens.

Getting There

Goðafoss sits directly on the Ring Road (Route 1) between Akureyri and Lake Mývatn, approximately 50 kilometres east of Akureyri. It is one of the most accessible major waterfalls in Iceland — there is no gravel road, no highland access requirement, and no significant walk from the car park.

From Akureyri: Approximately 45 minutes via Route 1. From Mývatn: Approximately 30 minutes via Route 1.

The north bank car park is on the Ring Road directly. The south bank is accessible via a small road on the opposite side of the bridge — worth the short detour.

Alternative: Aldeyjarfoss

Approximately 60 kilometres south of Goðafoss on the F26 — only accessible with a 4WD in summer — Aldeyjarfoss is a waterfall that most Goðafoss visitors never see. The falls drop into a canyon surrounded by remarkable hexagonal basalt columns that dwarf those at more visited locations. The combination of the column geometry and the waterfall produces compositions unavailable anywhere else in north Iceland.

Check current road conditions at road.is before attempting the F26. The drive is worthwhile but requires the right vehicle and conditions.

Sources

  • Nature Conservation Agency of Iceland — nattura.is
  • Veðurstofa Íslands (Icelandic Meteorological Office) — vedur.is
  • Vegagerðin (Icelandic Road Administration) — road.is
  • Ferðamálastofa (Icelandic Tourist Board) — visiticeland.com